How exactly 'Noir' was defined.
Cook, Pam; Bernink, Mieke (2003): The Cinema Book. Stephen Street, London: British Film Institute.
"The first book-length study of noir (Borde and Chaumeton, 1955) began this work by mapping out various recurrent themes within noir (violence, crime, pyschological emphasis) and relating this to particular films."
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This study had to be done as:
"British and American critics failed to take film noir seriously"
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They failed to take the films seriously as:
"Critics' dislike was compounded by economic snobbery: the low budgets and B-film status of many film noirs were seen as a priori proof that the films were 'trash'."
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Additionally, Paul Schrader suggests:
"Schrader goes on to suggest that the fundamental reason for the neglect of noir was the importance of visual style to the form: 'American critics have been traditionally moe interested in theme than style"
"Does the neo-noir genre continue to follow the representations of the classic film noir genre, with particular reference to ‘Sin City’ (2005)"
Sunday, 25 November 2007
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